“The story of gospel music in the 1960s and ’70s is strewn with small record labels. Most produced only a few discs, usually of one or two local artists and selling only a few hundred copies around their home areas. But a few were run on a larger scale. One was Designer, from Memphis, Tennessee, which between 1968 and 1978 produced between 400 and 500 singles and a few albums. Yet less than 30 years after the last issue, Designer has faded into the mist, and little is known of its story. The printed labels tells us it was run from at least two addresses in Park Avenue, Memphis – No 3373, then later No 3109 – by Style Wooten and Charles Bowen. Designer was, in effect, two labels in one. The main one was the “vanity” or “custom” label – available to anyone who could pay the cost of a recording session and having anything between 100 and 1000 45rpm singles pressed. But as well, Wooten and Bowen signed promising artists to contracts, carrying the costs, marketing the discs – and reaping the profits.

“Designer appears to have been purely a gospel label. Most of its artists were African American quartets and small groups from Memphis and the Mid-South, although half a dozen choirs appear in the lists and artists from as far away as New Jersey, New York and Illinois had records issued. Some white artists were also recorded; at least two groups – The Gospel Melodies and The Happy Time Singers – had Designer issues. The dual nature of the label means its artists are of widely varying quality, ranging from semi-professional acts such as the Shaws, the Jubilee Hummingbirds, the Memphis Harmonizers and the Gospel Songbirds to family groups whose budgets and ambitions perhaps exceeded their musical abilities. Designer’s last issue appeared in 1978. The reason for the label’s closure is as obscure as the rest of its life-story, although rumour has it that Wooten and Bowen were pressured out by rival local labels and recording studios which didn’t like the competition. But the Designer legacy survives – a wonderful wide-angle snapshot of grassroots gospel through a fascinating decade of change.” – Alan Young, author of the great Woke Me Up this Morning.

This is a straight reissue of a Designer LP, with three tracks each are the Jubilee Humming Birds, Union Gospel Singers, Madam Andres and the Heavenly Echoes, and the Mosby Family Singers, all of whom deliver rocking uplift. Some notes would’ve been nice, but what can you do. Limited edition, 180-gram vinyl pressing.

Great, bargain set of gospel music, from which Mississippi Records compiled their "In the Storm So Long" collection.

"Waymon 'Gusman' Jones loved gospel music. Especially, he loved the rich, stirring sounds of the quartets he heard as a farm boy in rural Georgia, then in his adopted hometown of Savannah, where he set up his Gusman Record Shop. From his passion came an indispensable legacy of gospel song.

"Between 1961 and 1978, Jones recorded and issued a stream of essential recordings by the Golden Stars of Greenwood, SC, the White Family Singers of Savannah, GA, the Six Voices of Zion of Columbia, SC, the Flying Clouds of Augusta, GA, and many others.

"This 3CD set captures on 71 rare recordings the sounds Jones wanted everyone to hear, giving 21st century listeners a unique opportunity to roll back the years and hear the vital and vibrant sounds of a southern community's gospel music world in a simpler age. The enclosed booklet features historic group and label photographs and extensive notes by gospel music researcher and writer Alan Young." - Big Legal Mess

Eight more rough and tumble blues numbers from Elmo Williams & Hezekiah Early, two older cats from Mississippi who still sound like guys who you wouldn’t want to mess with. Their succinct electric guitar + drums duo set up is plenty enough to churn out the tough gnarls. Fans of their “Takes One to Know One” release will definitely want to give this 10” the eye.