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Jimmy "Duck" Holmes
Gonna Get Old Someday
Big Legal Mess
CD
$12 |
Bentonia, Mississippi, is a small town of several hundred residents that has been home to celebrated bluesmen such as Skip James and Jack Owens who specialized in a haunting, high and lonesome blues technique. Jimmy "Duck" Holmes, owner and operator of Bentonia's famous Blue Front Cafe juke joint, was an avid student of Owens's and his approach owes a good deal to his mentor. Indeed, several cuts here feature the Owens' frequent collaborator, Bud Spires, on harmonica. There are also a couple tracks that are more rocking than one might expect from a Bentonian which feature the legendary Sam Carr on drums. These tunes are a bit less sure-footed than his other excursions, but also hint at Holmes' broader range of influences. Special kudos to the Broke and Hungry label for recording musicians who have mostly only existed in the realm of hearsay for us non-Mississippians.
New, lower price on Broke & Hungry titles.
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The Singing Southern Echos of Memphis, Tennessee
Somebody Touched Me
Big Legal Mess
LP
$13 |
| Latest in the Big Legal Mess / Fat Possum excavation of the vast Designer Records catalog. As with the previous “Together” compilation, no liner notes or other info, which is again a bit of a drag (fans looking for more info or newcomers looking for an appealing entry point are both equally SOL). In any event, my gripes aside, this is indeed some pretty lovely Memphis soul gospel, a nice mix of upbeat toe-tappers and sincere ballads. Here one song here: http://www.biglegalmessrecords.com/mp3/echos.mp3 Limited edition, 180-gram vinyl pressing. |
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Various Artists
Designer Records Presents "Together"
Big Legal Mess
LP
$13 |
“The story of gospel music in the 1960s and ’70s is strewn with small record labels. Most produced only a few discs, usually of one or two local artists and selling only a few hundred copies around their home areas. But a few were run on a larger scale. One was Designer, from Memphis, Tennessee, which between 1968 and 1978 produced between 400 and 500 singles and a few albums. Yet less than 30 years after the last issue, Designer has faded into the mist, and little is known of its story. The printed labels tells us it was run from at least two addresses in Park Avenue, Memphis – No 3373, then later No 3109 – by Style Wooten and Charles Bowen. Designer was, in effect, two labels in one. The main one was the “vanity” or “custom” label – available to anyone who could pay the cost of a recording session and having anything between 100 and 1000 45rpm singles pressed. But as well, Wooten and Bowen signed promising artists to contracts, carrying the costs, marketing the discs – and reaping the profits.
“Designer appears to have been purely a gospel label. Most of its artists were African American quartets and small groups from Memphis and the Mid-South, although half a dozen choirs appear in the lists and artists from as far away as New Jersey, New York and Illinois had records issued. Some white artists were also recorded; at least two groups – The Gospel Melodies and The Happy Time Singers – had Designer issues. The dual nature of the label means its artists are of widely varying quality, ranging from semi-professional acts such as the Shaws, the Jubilee Hummingbirds, the Memphis Harmonizers and the Gospel Songbirds to family groups whose budgets and ambitions perhaps exceeded their musical abilities. Designer’s last issue appeared in 1978. The reason for the label’s closure is as obscure as the rest of its life-story, although rumour has it that Wooten and Bowen were pressured out by rival local labels and recording studios which didn’t like the competition. But the Designer legacy survives – a wonderful wide-angle snapshot of grassroots gospel through a fascinating decade of change.” – Alan Young, author of the great Woke Me Up this Morning.
This is a straight reissue of a Designer LP, with three tracks each are the Jubilee Humming Birds, Union Gospel Singers, Madam Andres and the Heavenly Echoes, and the Mosby Family Singers, all of whom deliver rocking uplift. Some notes would’ve been nice, but what can you do. Limited edition, 180-gram vinyl pressing. |
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Elmo Williams and Hezekiah Early
American Made
Big Legal Mess
10"
$12 |
Eight more rough and tumble blues numbers from Elmo Williams & Hezekiah Early, two older cats from Mississippi who still sound like guys who you wouldn’t want to mess with. Their succinct electric guitar + drums duo set up is plenty enough to churn out the tough gnarls. Fans of their “Takes One to Know One” release will definitely want to give this 10” the eye. |